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La
Mirada
Crítica:
Luis
González Palma
May - June, 2002
Tue - Sun: 11.00am - 6.00pm
Galleries One, Two and Foyer
curated by Alasdair Foster
See Also: Exhibition
Catalogue
There is a deep sadness and a disquieting peace
in the work of Luis González Palma,
receiving it's Australian premiere at the
Australian Centre for Photography, Sydney. Many of
his images are portraits, close-cropped and large
in scale. His subjects are the Mayan Indians of his
homeland of Guatemala adorned with symbolic
decoration drawn from both indigenous culture and
Hispanic Catholicism. For almost his entire life, a
civil war was waged in that country. Hundreds of
indigenous Mayan villages were razed to the ground,
more than 100,000 people died and a million were
made refugees. But his are not documentary images
of the facts of war, instead they are poetic
meditations filled with contrasts and
contradictions: beauty and sorrow, mysticism and
violence, poetry and pain.
Luis González Palma is an internationally
renowned artist. His work featured in last year's
Venice Biennale, previously in São Paulo and
Havana, and won the Grand Prize at
FotoEspaña, Madrid in 1999. He has had major
solo shows across North and South America, Europe
and Asia including in the Art Institute of Chicago;
Palacio de Bellas Artes, Mexico City; Royal
Festival Hall, London; Moderna Museet, Stockholm;
Museo del Barrio, New York and Ludwig Forum fur
International Kunst, Aachen, Germany.
'La mirada crítica' features a selection of
work made over the past twelve years. The
exhibition is specially created by the Australian
Centre for Photography and marks the conclusion of
a residency that Luis González Palma
undertook as the guest of the Bundanon Trust with
the generous support of the benefactor Philip
Hughes.
"I think and perceive of life as a union of
beauty and pain, a drama presented in a romantic
manner."
Luis González Palma
Image Credits:
Luis González Palma, El
pájaro (The Bird), 1989
Luis González Palma, La
mirada crítica (The Critical Gaze),
1998
Luis González Palma
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