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Volt
May - June, 2001
Gallery One
Andrew Curtis
Andrew Curtis' nocturnal images of electricity
substations in suburban Victoria suggest the
magnificence of the monumental within the banality
of the everyday. Caught somewhere between the
objectivity of Bernd and Hilla Becher and the
stylistic surrealism of David Lynch, Curtis'
luminous colour images bring vividly to life a
barely perceived aspect of the urban landscape.
Image Credits:
Andrew Curtis, Glen Iris
(detail), 1999
Authority
Gallery One
Polixeni Papapetrou
Are contemporary design houses the new and future
royalty, and the logo-wearers the new vassals,
followers of a highborn notion of fashion? In her
latest body of work, Polixeni Papapetrou casts an
ironic eye on sartorial marks of status - comparing
the motifs of aristocratic power in Renaissance
Europe with the designer-logo tee shirts of
contemporary global culture.
Image credits:
Polixeni Papapetrou, from
Authority, 2001
We
Can Do Anything
Gallery One
Darren Sylvester
The perfection of Sylvester's images and the
untrammeled optimism of the texts can lead one to
read his work as a parody of advertising. But one
would be wrong to do so. Sylvester is not a critic,
but a die-hard romantic. The care he bestows on the
surface of his images is in order to elevate their
reading, to deny the viewer the easy option of
cynical dismissal. One of Melbourne's rising
stars.
Image credits:
Darren Sylvester, Everything In
Life Depends On Yourself,
2000
Rhopography
Gallery Two
Joachim Froese
In this presentation of work made especially for
ACP, Froese continues his construction of
melodramatic metaphor using dead insects. Here, in
apparently dynamic scenarios which belie their many
days of construction, and in a scale that presents
the miniature as grand spectacle, beetles and bugs
play out scenarios of epic proportion.
Image credits:
Joachim Froese, from
Rhopography,
2001
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