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Signature
Works
- 25th Anniversary
Exhibition
28
May - 3 July, 1999
Tue - Sun: 11.00am - 6.00pm
Gallery One
Fiona Hall
Bill Henson
Carol Jerrems
Maria Kozic
Tracey Moffatt
Max Pam
Patricia Piccinini
Jon Rhodes
Michael Riley
Anne Zahalka
In 1999, the ACP marks a quarter century of
exhibition. Poised on the brink of a new
millennium, the anniversary offers a unique
opportunity to explore the recent history of this
dominant cultural art form through an exhibition
called 'Signature Works'.
Rather than follow the conventions of an
authoritative linear history, the anniversary
exhibition brings together a series of images which
are immediately and powerfully recalled as
emblematic of the period - 'Signature Works'.
Selected by 25 photographic curators, writers,
artists and academics from around Australia, this
collection of imagery is not intended as a
definitive pantheon, but creates a space in which
to make your own connections. To contemplate just
what it is that leads certain images to stay in the
memory or become icons of their age.
The Photo Library is proud to support the
Australian Centre for Photography's 25th
Anniversary exhibitions.
Image Credits:
Bill Henson, Untitled, 1983/4
(detail from triptych)

Sunbaker:
The Making of an Icon
Gallery
Two
Assembled from the research and visual
references collected by Gael Newton and
Martyn Jolly
Max Dupain's 'Sunbaker' was made in 1937 while he
was on holiday in Calburra on the south coast of
New South Wales. Originally there were two
negatives, each slightly different poses, but one
was lost. The other was little known until 1975
when it appeared on a poster for one of the ACP's
earliest exhibitions.
Over the next two decades, the image of the
anonymous Aussie surfer became, in the words of
Gael Newton - Senior Curator of Photography at the
National Gallery of Australia, "the single most
widely recognised Australian photograph".
For some the image is nostalgic - out of the mould
of 'Chesty Bond'. For others it represents a
nationalistic stereotype to be spoofed or seriously
subverted.
Image Credits:
Max Dupain, Sunbaker, 1937
(courtesy Josef Lebovic Gallery)
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