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Object ­ Image

June, 1998

Tue - Sun: 11.00am - 6.00pm
Galleries One and Two

Shane Breynard, Stephen Birch
and Nicola Loder

Curator: Blair French.

Major object and architectural based installation projects which explore physical and perceptual relationships between the viewer and both still and moving photographic and images presented in object form. The featured artists are Shane Breynard (Canberra), Stephen Birch (Sydney) and Nicola Loder (Melbourne).

Image Credits:

•  Shane Breynard, Anti-Aphrodisiac, 1998

Still-Life

Foyer

Ricky Cox

The video image is a standing wave pattern of electrical energy, a vibrating system composed of specific frequencies as one would expect to find in any resonating object. As has been described many times, the image we see on the surface of the cathode ray tube is the trace of a single moving focused point of light from a stream of electrons hitting the screen from behind, causing its phosphor coated surface to glow. In video, a still image does not exist. The fabric of all video images, moving or still, is the activated, constantly sweeping electron beam - the steady stream of electrical impulses coming from the camera or video recorder.

Dan Lander, Sound by Artists, (Toronto: Art Metropole, 1990)

'Still-life' revisits a popular genre of traditional art practices, through the contemporary medium of video. In doing so it draws attention to the nature and materiality of the medium through the device of camera shake, thus exaggerating this idea of constant flux while breaking with conventional expectations associated with film and video by presenting a 'non- moving image' or still-life.

More Information:
www.rickycox.com

Image credits:

•  Ricky Cox, Still-Life, 1998


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